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Post by skaschep on Jun 24, 2019 16:27:32 GMT -5
It sure looks like Australia loved @adamlambert's performance on @thevoiceau + #TheShowMustGoOn documentary with @queenwillrock after that! #NewEyes is #6 on @itunes and a lot of other songs as well! I'm seeing 1,000 Shazams for NE and also 700 new followers on Spotify!
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Post by skaschep on Jun 24, 2019 16:31:11 GMT -5
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Post by skaschep on Jun 24, 2019 16:31:31 GMT -5
twitter.com/RainbowDepot/status/1143259636964962305Rainbow Depot @rainbowdepot Watch Adam Lambert perform this Friday on Good Morning America as pride flags from rainbowdepot.com are waved!!! #goodmorningamerica #gma #abc #newyork #timessquare #pride #rainbowflags #adamlambert #lgbtq #glamily #idol #lgbt #pride #gaypride #lgbtpride #lgbtqpride
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Post by skaschep on Jun 24, 2019 16:47:41 GMT -5
Adam's character in the back: Pathé Films @pathefilms Les voix françaises de #PlaymobilLeFilm, @kadmerad, @commandeur_j, @jeniferofficiel et @dubosc_franck sont réunis aujourd'hui pour la journée presse ! Rendez-vous le 7 août au cinéma.
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Post by pi on Jun 24, 2019 17:07:23 GMT -5
Great start to an exciting week!!! (I realize that not everybody is a fan of NE, but I am) Let's keep in mind how beneficial it is for Adam's visibility to click, like, RT, comment, share.... and stream lol. I'm right with you!
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Post by svca on Jun 24, 2019 17:25:15 GMT -5
Wow, so much happening this week, hard to keep up !!
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Post by MeggyMeg on Jun 24, 2019 17:56:05 GMT -5
Question - sorry if I missed this bit of info, "Coming in Hot" is coming out tomorrow at midnight?
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Post by Jablea on Jun 24, 2019 17:58:42 GMT -5
I don't understand the difference between radio and Spotify. For a song to "explode" in Spotify it needs to be on the big playlists, so it gets exposure, doesn't it? So what's the difference between such playlist and a radio station? Spotify playlists are ran by some individuals but most Spotify owned playlists are computer controlled and now days there are a lot fewer "tastemaker" playlists (ran by bloggers etc). Spotify has big rules about not paying any of their human ran playlist owners but they can't control tastemakers. Listeners can treat playlists like radio stations. You sample until you find a playlist you like and then you mostly listen to it. Trend setters etc like to listing to New Music Friday playlists (there are multiple with some country specific) for at least part of their week. Music that does well (gets likes and replays) on New Music Fridays are likely to get moved up to at least one bigger list, if they do well on the bigger list then they get on even bigger lists. Sometimes a song percolates for months before something sets it moving up again, often it's a remix. Do US listeners drive the lists? Yes for HipHop, No for Pop. Europe? Nope, not enough people. Who then? Latin, Asia, Malaysia - they have the right mix of a younger audience which is multiple times the size of the US market and they listen to a lot of Pop. So the computers are watching what Spotify listeners in Jarkarta are playing. This article came out today from Chartmetric: “Trigger Cities” (Part 2): The Southeast Asian Region Southeast Asia awaits...what music will they hear from you next? (Photo: Florian Wehde) In May 2019, we first explored the idea of streaming "trigger cities"- or Latin American and South/Southeast Asian cities dominating streaming metrics, and potentially affecting how Western artists get prioritized and how fans around the world listen to them through streaming platform algorithms. We now localize the concept, and focus on the titan streaming cities of Southeast Asia: Jakarta, Bangkok, Singapore, Kuala Lumpur, Quezon City and Ho Chi Minh City. They lead a regional population of 662 million that skews young, and loves using social media and music. Did you know they prioritize local artists on Instagram? Or that they Shazam pop over all other genres at least 2x more than any other genre? How about that the top Western YouTube videos are simply multiple lyric/karaoke videos of the same song? Welcome to Part 2 of the Chartmetric Trigger Cities mini-series, and see how you can apply music data to your global marketing strategy. Read on MediumSung Cho CEO, Chartmetric, Inc.
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Post by pi on Jun 24, 2019 18:04:41 GMT -5
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