Holst
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Post by Holst on Feb 14, 2015 13:19:16 GMT -5
Hi Nica, you might have posted the wrong video. This is I Want to Break Free. |
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Post by nica575 on Feb 14, 2015 13:39:25 GMT -5
Hi Nica, you might have posted the wrong video. This is I Want to Break Free. THANK YOU, Holst! I went back and corrected. |
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Post by houselady on Feb 15, 2015 9:16:22 GMT -5
Katharina @glamlawyer 3m3 minutes ago Review Kulturspiegel about Queen + Adam Lambert in Stuttgart www.kulturpegel.de/konzert/queen-adam-lambert# … sums perfectly up how awesome it was! Google translate: tinyurl.com/nj9yee6CONCERT REPORT | 13 February 2015 - Schleyerhalle, Stuttgart Queen + Adam Lambert = royally. I eagerly was like a horse in front of the royal carriage, if it would work with Queen and Adam Lambert. And yes, it does!It's Friday eight clock. The long sold out Schleyer Halle is still lit up. The stage is hidden behind a huge cloth with the tour logo. A golden-lined ridge like a tip extends into the audience and opens into a round pedestal. Also on the sides of the main stage are mounted higher, golden Podestchen. Good conditions for audiences near and movement on stage. It sounded muffled guitar sounds that would probably announce the arrival of a UFO in a Hollywood blockbuster and lie like a rug over the crowd. Insecure clapping and whistling. We go now? The music fades to start it again later in a similar manner. This game continues for the next twenty minutes. The Clap & whistling louder again. Nothing happened, but all seem focused and wait for the big bang. If the tension makes the same similar curves with the protagonists on the stage, which is a good evening. Mist rises. What drama. Nothing. Again fog. Light. Smartphones. The silhouette of a man behind the curtain. A bang. The curtain disappears abruptly. On the now brightly lit stage is a gray belockter, dressed in black, Brian May and leaves the opener fingers over the strings slide center stage deafened the whole wrapped in white Roger Taylor on his elevated by a pedestal drums, while in skin-tight leather outfit appearing Adam Lambert with his powerful voice blares us the words of One to answer vision. Lambert and May the song and play Riffbälle to just so ahead of Taylor's voluminous drum sound. What a start. What a sound. What a stage set. What a production. Over the heads of the protagonists of a giant screen ellipse below the hall ceiling, which transmits the performance on the stage to the last row and, in conjunction with the audience projecting ridge an oversized Q. The hall is raging. Lambert welcomes Stuttgart with "All my fat ass bitches" and forward gallantly into Fat Bottomed Girl. May brettert an equally thick riff on the guitar, the first of many strings breaks. With a new look, Lambert wearing now with gold fringe edged westernarmstulpen & plateaus, warbles this on a pink sofa lolling Killer Queen. Now he turns to the Stuttgart audience. "Thank you for giving me a chance tonight. It is seeking to honor to play with synthesis gentleman." He recalls on to the person whose place he is allowed to take today. "Let's celebrate Freddy, let's break free! ". The name says it all. With Somebody To Love Lambert can his vocal power and - present wide so right. To treble without losing Operesk strength. After the personal "Hallöle" Welcoming the audience who now seated with his twelve string acoustic guitar on the rondel May sings along with several thousand Stuttgarters Love of my Life. Goosebumps. Freddy appears on the screen and sings. 39 shows how cross-generational Queen with her music people reached and still reach. After the introduction of the band and the Taylor sung Days of our Lives and A Kind of Magic it's a flurry of events in the middle of the audience: A grouviges bass solo on electric and electric double bass and a drum battle between Taylor and the young drummer that has washed up, lead to Under Pressure in which all the protagonists are gathered on stage again. In Who Wants To Live Forever will settle down a disco ball, May gets into a stunning guitar solo sounds from his instrument that one stays away the spit in Another One Bites The Dust can Lambert continued circling the hips and concise in the collective a capella takeoff I Want It All culminates in thunderous drums, strings and buzzing frantically cheering Stuttgart. While Radio Gaga Lambert handshakes picks in the front rows and after May's question: "What do you think of the new guy" warm applause. The golden glittering organ comes at Crazy Little Thing Called Love used to effortlessly 'reached at the Lambert`s voice the deep tones of Elvis, which report illustrates his vocal range again. And since it's the song that Lambert then interpreted on American Idol and if not the funkiest composition of the Royal British who makes old and young, and united front of the stage and clearly the highlight of the evening: Bohemian Rhapsody, which Lambert and on the screens appearing Freddy Mercury duet and which is supported by magnificent play of light in the hall and musical on stage. Queen leave to thunderous applause the stage, the more the assimilates to the rhythm of We Will Rock You. The drums rise again, the complete drum riser rises and falls Lambert majestically in golden leopard dress and crowned sparkling like a young monarch again on the stage and in the subsequent HeWhoCannot ameds We Are The Champions further on. The audience is located singing in the arms and the artists on stage at your feet. All happiness of the last two and a half hours open with a bang in a sensual explosion of golden confetti, which is now pouring over the intoxicated and hocheuphorisierte audience. Simply cover, grin and fall asleep now. |
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Post by Deleted on Feb 19, 2015 0:35:20 GMT -5
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