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Post by pi on Oct 26, 2024 12:33:03 GMT -5
Composer, conductor at the Wallis Annenberg Center for the Performing Arts.
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Post by pi on Oct 26, 2024 12:45:22 GMT -5
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Post by pi on Oct 26, 2024 13:29:25 GMT -5
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Post by pi on Oct 26, 2024 15:29:38 GMT -5
The Signal is The College of New Jersey‘s award-winning, student-produced, weekly news organization. Established in 1885, it is among the oldest collegiate newspapers in the country.
The Signal
Adam Lambert and Auli’i Cravalho shine in ‘Cabaret’ at the Kit Kat Club
“Willkommen! Bienvenue! Welcome!”
From the moment I stepped through the doors of the August Wilson Theater on Broadway, I was immersed in the vibrant, underground club scene of 1920s Berlin. A short walk down a neon-lit alley, pulsating with heavy bass music, sets the tone as patrons are led to the intimate performance space “Cabaret” offers.
While exploring the offerings of the theater, including three separate bar offerings and merch stands, one may notice a recurring eye motif splashed across the walls. In an interview with Architectural Digest, scenic designer Tom Scutt shared his choice to incorporate the pattern of eyes, reflecting the show’s “obvious themes of voyeurism and paranoia.” This attention to detail enhanced the immersion for me and was a subtle point that I was truly impressed with.
Once seated at a stage-side table with my guest for the night (my mom), I was blown away by the immediate engagement among the ensemble members of the cast. Actors intermingled with the audience, calling individual tables and engaging in conversation.
I was able to speak with Rosie, one of the ensemble cast members, sharing my thoughts on the production and my circumstances for seeing the show. The highly interactive nature of the show truly stood out to me and transcended the typical definition of a Broadway performance.
As soon as Adam Lambert made his entrance onto the circular stage as the Emcee, he was nothing short of unrecognizable. Finishing in second place on American Idol in 2009, the now-frontman for the rock band Queen was dazzling. Dressed in shimmering eye makeup and a party hat, he truly embraced the character, embodying a vibrant yet haunting stage presence. His portrayal starkly contrasted with original cast member Eddie Redmayne’s interpretation, which leaned more subdued and introspective.
While Redmayne brought out the melancholy and darkness behind the Emcee with minimal makeup, Lambert infused his performance with electrifying energy and an unmatched level of theatricality, strongly reminiscent of Frankenfurter from “Rocky Horror Picture Show.”
Auli’i Cravalho, best known for her role as the voice of the titular character in Disney’s “Moana,” takes a sharp turn from her island princess roots. In the role of Sally Bowles, she is transformed into a loud, vibrant woman full of spunk. She commands the stage in her solo cabaret numbers, including the scandalous “Don’t Tell Mama” and the angry “Mein Herr.”
At the top of the show during “Willkommen,” Lambert’s commanding stage presence quickly captivated the audience. He seamlessly blends the charm and creepy undertones of the Emcee role, both seductive and absurd. Redmayne had a slightly more reserved approach, which I felt held back some of the authenticity that the stage commands. Lambert invited the audience to dance along with him and find comfort in the seedy Kit Kat Club.
More.. www.tcnjsignalnews.com/article/2024/10/adam-lambert-and-aulii-cravalho-shine-in-cabaret-at-the-kit-kat-club
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Post by pi on Oct 26, 2024 16:13:19 GMT -5
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Post by theradia on Oct 26, 2024 17:01:01 GMT -5
Hey guys, I only follow Adam sporadically now and was super happy to hear about him land yet another fantastic gig! Beginning of october I saw a full audio of the show on youtube, but unfortunately they had to remove it :( Did anyone maybe download it as an audiofile and would be willing to share it with me over Private Message ( or any communication of your choice) ? I really really need to hear the full version of "Tomorrow Belongs to Me" again, as it floored me.. I even wrote down the timestamp of 59:36 to always come back to it. Please save me, I don't have 2000€ to drop on a NYC trip right now
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Post by pi on Oct 26, 2024 19:45:49 GMT -5
Hey guys, I only follow Adam sporadically now and was super happy to hear about him land yet another fantastic gig! Beginning of october I saw a full audio of the show on youtube, but unfortunately they had to remove it Did anyone maybe download it as an audiofile and would be willing to share it with me over Private Message ( or any communication of your choice) ? I really really need to hear the full version of "Tomorrow Belongs to Me" again, as it floored me.. I even wrote down the timestamp of 59:36 to always come back to it. Please save me, I don't have 2000€ to drop on a NYC trip right now !!! !!! Check out the person's youtube channel for any other songs, but here's the audio video of Tomorrow Belongs to Me..
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Post by pi on Oct 26, 2024 22:25:38 GMT -5
Gerald_Sternbach CABARET should never be far from being seen somewhere. The immersive production is quite stunning and engages you from the moment you enter the space. The story is still timely and potent, as the threat of fascism looms its ugly head. But it is more wonderful to see someone who you "knew when". Just raw talent oozing from every pore. Adam Lambert is a force of nature as the MC and deserves every accolade.
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Post by pi on Oct 26, 2024 22:31:31 GMT -5
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Post by pi on Oct 27, 2024 3:35:28 GMT -5
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