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Post by Deleted on May 29, 2015 10:08:50 GMT -5
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Post by Q3 on May 29, 2015 10:10:59 GMT -5
"Ghost Town" is on two Billboard Charts....both are US radio airplay detections as measured by Nielsen Music.
Pop Songs 39 (NEW) [Top 40 stations]
Adult Pop 29 (29) [HAC stations]
This is for the Nielsen radio panels -- Wednesday through Tuesday.
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mireille
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Music = Love
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Post by mireille on May 29, 2015 10:13:04 GMT -5
You are pretty fast wal. I was waiting to see if another chart updated as well to give a total update. As you already posted GT just entered our Top 40 on #34 as the highest new entry this week. This chart does not involve legal downloads although it involves Airplay, Spotify, YouTube, Facebook and Twitter. I guess we Dutch Glamberts have to get more active on Twitter. People are complaining on the internet that this chart is slow as hell so that's not really good for Adam probably. WWFM entered higher in 2010 (on #18, but that was another time). In the chart that is totally based on downloads from iTunes, the iTunes top 30 from Q-music, GT gained 5 positions this week from #15 to #10! Could have been higher if we didn't just have the Eurovision Songfestival. I'll update on the other two charts later today. Adam is doing great in The Netherlands!! I'm listening to the last Coen en Sander show now, hopefully they will play the last ever supercrazyturbotophit. Kind of proud that they choose GT for it
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Post by adamrocks on May 29, 2015 10:29:39 GMT -5
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Post by adamrocks on May 29, 2015 10:31:00 GMT -5
Just an airhead! @feraltwirler 2h2 hours ago So easy!! Pls hit him up - u have 40 votes. Can click fast! MT @slipoutofsight: few hrs left Click the thumb up top40.loop.fi/
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Post by Q3 on May 29, 2015 10:31:30 GMT -5
Just a comment about streaming and the Billboard chart -- it is not cumulative -- it is weekly. As PattiHum posted, the only thing that could matter right now is streaming "Ghost Town" but unless sales and/or radio airplay get higher, it does not matter. (Except Adam will get a few more pennies.)
What will really matter is streaming on the week the album is released. There is not doubt that TOH will be a Top 10 album on sales. Hopefully #1. BUT to be #1 on the Billboard 200 it will need album sales + track sales + streaming numbers DURING ALBUM RELEASE WEEK.
Here are a couple illustrations ---
Billboard 200 = Album Sales + Track Sales + Streaming Sawyer Fredrick "The Voice: The Complete Season 8 Collection" is #6 on the chart because of his track sales, it is only #25 on the digital album sales chart with 10,689 units sold.
Hot 100 = Sales + Radio + Streaming Sawyer Frederick “Please” is #37 on this week's Hot 100 even though it is #6 on the Digital Song (SALES) chart. It has no radio and no streaming.
ETA: Stream away now but be ready to really stream TOH tracks when the album is released.
ETA 2: Streaming counts for RIAA Certification -- so eventually the cumulative totals could matter. "Among the on-demand streaming services the RIAA will accept are MOG, Muve Music, Rdio, Rhapsody, Slacker, Spotify, Xbox Music and others. In addition, video streams from MTV.com, VEVO, Yahoo! Music and YouTube will also count." 100 streams = 1 sale for the RIAA. So IF 20% of Adam's GT Spotify streams are from the US, that is 1,000,000 streams or 10,000 units.
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Post by adamrocks on May 29, 2015 10:32:50 GMT -5
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Post by adamrocks on May 29, 2015 10:34:41 GMT -5
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Post by stampsgal on May 29, 2015 10:37:59 GMT -5
We know the sequence: 1. The day after Adam announced he was parting ways with RCA, WBR CALLED him. He was not signed until later. This has been mashed up in the press a lot since then. 3. DMG/Adam were in discussion with a couple of labels and some big producers in November 2013. He was not signed to anyone then. Based on your 1 and 3 comments, I had never thought of this ...WBR was probably not a label DMG had contacted for discussions??? Or WBR had been contacted, made their decision behind the scenes and were waiting to jump on board when there was a formal announcement of Adam's departure from RCA. (Interesting to wonder about, but ....may never know the answer.)> Max Martin/Shellback agreed to be EP for Adam entire album before he was signed to WMR WHEN Adam was signed to a major label. So it happened at the same time -- MM/S were attached to the project but not working on the project until WBR signed Adam.> WMG (the label) put up the money to pay MM/S, the writing camp, create and promote the album, etc. So MM/S would not of proceeded with anything without Adam signing with a label. Q3...WOW.. for taking the time to outline the factors/decision/points in a timeline. Seeing the history/ evolution in one place versus thought gathering from articles over the past years solidifies in a cohesive way, my memories of posts/articles. The concepts I highlighted in red REALLY helped me wrap my head around this A3 work, and brought more clarity to the fact there was an agreement in principle "to work with Adam" when he had a label in place. That fact was not in my brain, I forgot that point. That answers my first question in my previous post. He was not really "pre-working" with MM/S...that is, he was not paying out of pocket for work with the Swedish team prior to signing with WBR.
Funny how my mind is more at peace when the jigsaw pieces start fitting.
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Post by adamrocks on May 29, 2015 10:39:53 GMT -5
Will this Deezer streamig count? Aleksandra retweeted ᐝᐝᐝᐝ ᗩᖺᗰᕮᗞ @loverkooky 30m30 minutes ago New favourite: Adam Lambert / Evil In The Night www.deezer.com/track/100767516 @deezer
COMING SOON... Deezer, the streaming music service, will soon be available in your country.
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