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Post by pi on Sept 13, 2016 4:49:10 GMT -5
EDM ASSASSIN Tritonal – Painting With Dreams Album edmassassin.com/tritonal-painting-dreams-album/ via @edmassassin Adam mention2) Broken (With Jenaux) [Feat. Adam Lambert] No one can deny that Adam Lambert is an excellent vocalist. And Broken is no exception. In the original review, it was stated that “[t]he vibes in this track are so good despite the lyrics are about being hurt by someone.” Which is something that Tritonal has always been excellent at doing in their tracks. On top of the glory that is Adam Lambert’s voice, you cannot help but remember that another key part of this track is the collaborating artist Jenaux. A wonderful producing power who, including this track, has made some serious waves as far as producing music.
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Post by katycake on Sept 13, 2016 4:54:19 GMT -5
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Post by pi on Sept 13, 2016 4:56:02 GMT -5
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Post by pi on Sept 13, 2016 5:10:17 GMT -5
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Post by pi on Sept 13, 2016 5:11:12 GMT -5
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Post by pi on Sept 13, 2016 5:12:19 GMT -5
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Post by pi on Sept 13, 2016 5:41:43 GMT -5
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Post by katycake on Sept 13, 2016 6:13:58 GMT -5
translation from a Hebrew atricle: www.mako.co.il/music-Magazine/reviews/Article-54edda1d5ff1751006.htmKILLERS: QUEEN AND ADAM LAMBERT DELIVERED IN FULL
There were quite a few skeptic voices around the concert of the legendary rock band in an ensemble that includes an American Idol alum in the role of Saint Freddie Mercury, but the crowd bought tickets, turned up in massive numbers, and was not given a reason to regret it for even one moment
At 20:41 exactly Queen hit the stage, in their current line up, which includes Adam Lambert as frontman. The giant curtain which showed the band's logo was drawn upwards. Very soon it was apparent that, as promised, it was one of the most beautiful and invested stages that were seen in Israel. It included a bridge into the audience, a round screen at the center that injects in different frames and two jumbo screens both sides. Lambert, in a black hat and futuristic Lady Gaga glasses, opens with a quick Seven Seas of Rhye. After the customary "Hello Tel Aviv" he moves to Keep Yourself Alive, and during Hammer to Fall he gets reed of the giant glasses and moves to pilot glasses. Brian May astounds in an impressive guitar solo, one of many that will follow, and beside the wind that blows in his curly grey hair the spirit of rock'n'roll governs the park, as if no one's heard of EDM. It's unfair to compare any performer to Freddie Mercury, but it seems that theatrically-wise and voice range-wise Lambert gives everything he can. Stone Cold Crazy is the fourth song, and at this stage there's no doubt the band opted to start off in uplifting rhythmic tracks, and save its amazing rock ballads till later on. The level of crowd participation rises with Fat Bottomed Girls, and the chemistry between Lambert and the band members feels natural, given the age difference and different background. "All of my fat ass bitches" Lambert calls to the audience trying to liven up the atmosphere before the sixth song. Brian May runs to the catwalk and the screens show the feed from the Go-Pro camera on his guitar. That is something Frredie Mercury did not live to see. Don't Stop Me Now. Shock. Perfect execution. The crowd is in ecstasy, including bra throwing. Now a throne is set on stage and Lambert, that suffers from the hit more than all of us, uses a black fan. Killer Queen indeed. "LeChaim" call with a sip off a silver goblet. "Toda Raba" and "Erev Tov" in Hebrew, and the crowd is on a high. Brian May and roger Taylor get a full dose of admiration also from Lambert himself, that states: "we've been doing this for four years now, and I can't believe the honor I was given – to sing the song of the greatest rock band in the world". Emotions only run higher when he asks "do you love Freddie?", and the crowd cheers in screams that can be heard in the next world. "Let's remember Freddie because he was one in a generation. Let’s love each other in Freddie's memory. Who has a spouse? Husband? Wife?" he asks, and immediately answers: "lucky mother fuckers. I don't". This Segway leads to, what else, Somebody to Love, and one should believe that Mercurie would approve and appreciate Lambert's insane vocal rendition. With Love of My Life the crowd already helps him, and the super ballad gets an ecstatic mass execution. "I hear Israelis sing great", he compliments. Total lie, of course, but it doesn't matter. Seems like the voice of Freddie comes from heaven at the end of the song. Afterwards Talor gives May the electric guitar and moves front stage for a rendition of Days of Our Lives. Lambert probably uses the times for a costume change and necessary refreshment. This part of the show goes on with a drum duet of Taylor and the new drummer. Great experience for Taylor fans, less so for Queen fans. Under Pressure is dedicated, of course, to David Bowie, who passé away this year. Upon returning, Lambert does everything he can to be fresh and sassy in Another One Bites the Dust. May, Taylor and the rest play like it's 1982, in a good way. With I Want It All the crowd is ecstatic again for the who knows which time. Brian May becomes a superstar with an impressive jam which develops into Hava Nagila and then a guitar solo of no less than 15 minutes. Lambert is back with Who Wants to Live Forever, and no doubt he sounds his best when he gets his foot off the vocal pedal. A giant mirror ball descends to the stage and lightens the whole park, and the Show Must go On proves again that we're talking about a huge rock singer, no off-key notes and plenty of charisma. The end is near and Lambert declares "I fell in love with Tel Aviv". May's hair flies in the breeze and induces a smile and nostalgia. With Bohemian Rhapsody Lambert is replaced with Mercury on the screens. The Crowd is excited as if it's resurrection, and that, of course, is fireworks time. No effect was spared, and the crowd appreciates that. A bit more electronics and lasers in a pure rock night, and cue the enormous Radio GaGa. The encore, if anybody had any doubt, includes WeWill Rock You and We Are The Champions. Lambert with bling around his neck, a crown on his head and a golden mic. The whole park is about to show up to work tomorrow with no voice.
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Post by freakydeaky on Sept 13, 2016 6:18:42 GMT -5
I am so in a different place right now! Hey, Bamafan! You're right, I did have an awesome spot, thanks to beautiful Angelkrash, whom I met for the first time last night. She arrived 15 minutes before my friend and I did, and saved us that unbelievable spot, maybe 6th row right in front of the catwalk. I'm so glad I took a day off today, so I can stay in this little fairyland I'm in for a while… Sorry I'm so useless in the pictures/videos department, but I'll try to find some to bring over, and also see what needs translating. Whatever keeps me in Lambertland. I'm so glad you had such a great time. We knew you would! Thankyou for taking the time to post a recap. It's good you took a day off, very wise. I went head on into crazy RL after my first QAL gig, when I just wanted to sit and talk about what I had seen the previous night with everyone I had seen it with, that would've been bliss. It was such a special experience..
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EenieMeenie
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"I think we is!"
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Post by EenieMeenie on Sept 13, 2016 6:31:23 GMT -5
I thought I was tired of watching QAL -- WRONG! LOVE.LOVE.LOVE Adam's twist on things this time around. I love an edgier looking Adam! When I first saw the pics from Tel Aviv I thought that he's letting his Zodiac heart show again. Yea!!
BTW - I'm really coo.coo.ka.choo but for weeks I've tried to use that moniker when using my I-pad to no avail. I finally succumbed this a.m. and invented a new avatar for I-Pad use.
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